POTSDAM -- SUNY Potsdam's Crane School of Music is preparing to host the world premiere of a groundbreaking new opera, "Computing Venus," by Timothy C. Takach and Caitlin Vincent.

The Crane Opera Ensemble and Orchestra will unveil its full production of the Pellicciotti Prize-winning work in a series of performances and special events, from Thursday, Oct. 31 to Sunday, Nov. 3.

Composer Timothy C. Takach and librettist Caitlin Vincent were selected as the recipients of the 2024 Domenic J. Pellicciotti Opera Composition Prize for the new opera, "Computing Venus."

The opera provides a fascinating glimpse into the life of astronomer Maria Mitchell, a ground-breaking historical figure who paved the way for women in STEM in the 19th century.

The opera follows Mitchell's efforts to cultivate the next generation of women astronomers, even as growing movements threatened to close the world of science to women forever.

"We are thrilled to present the world premiere of 'Computing Venus,' a remarkable new opera that not only showcases the exceptional talents of our Crane School of Music students, and of the opera's creators Timothy Takach and Caitlin Vincent, but also celebrates the inspiring legacy of Maria Mitchell. This production embodies our commitment to fostering innovation and diversity in the arts, and continues the legacy Gary Jaquay has created at the Crane School since establishing the Pellicciotti Prize more than a decade ago. We invite the community to join us for this extraordinary event and to experience the powerful storytelling and musical excellence that the Crane Opera Ensemble is known for," said Crane School of Music Interim Dean Dr. David Heuser.

Takach and Vincent were awarded a $25,000 commission to complete the new work.

The award-winning Crane Opera Ensemble will bring "Computing Venus" to life, in a production led by Stage Director Cindy Oxberry and Music Director/Conductor Andrew Voelker.

"Inspired by the stars, encouraged by her family to reach for them, this woman of science, swam upstream against the current of men in science, to reach for her stars on earth -- teaching others to appreciate the science of learning about what was in the sky above us all," Oxberry said. "For me, this is the soul of the opera -- the female human spirit can endure much and can keep moving forward and can state very clearly that science told them then, women could learn anything and be successful at it."

"Computing Venus" will open with an educational outreach performance for students from area schools on Thursday, Oct. 31, at 9:30 a.m., in the Sara M. Snell Music Theater (tickets are available by reservation only to this performance).

Evening performances will be offered on Friday and Saturday, Nov. 1 and 2, at 7:30 p.m., ending with a matinee on Sunday, Nov. 3 at 3 p.m., also in Snell Theater.

All performances will feature a pre-performance talk by the composer and librettist, beginning 30 minutes before each show begins.

Admission is free, and all are welcome to attend.

"As a collaborative artist and music educator, I am thrilled that our students at The Crane School of Music have had the opportunity this year to both workshop and premiere this new opera, written specifically for us," said Voelker, who is a visiting assistant professor of vocal coaching and accompanying. "In today's musical climate, the ability for artists to collaborate and to breathe life into brand new music is one of the most important skills that we can impart, both within the field of traditional music and among contemporary genres and music industry. We excitedly welcome composer Timothy Takach and librettist Caitlin Vincent to Potsdam, and thank them for taking the time to work directly with our students."

The student cast and orchestra includes 39 talented students, including dual-casting of each of the principal roles. Noted dramaturg Cori Ellison, a leading creative figure in the opera world, assisted Takach and Vincent as they developed their final work.

The world premiere production of "Computing Venus" includes projection design by Camilla Tassi, lighting design by Tonry Lathroum, technical direction by Thomas Grabowski, wardrobe supervision by Sarah Diederich, and stage management by Ryan Holahan and Dana Butcher.

The Domenic J. Pellicciotti Opera Composition Prize was founded by Dr. Gary C. Jaquay '67 to honor his life partner, Domenic J. Pellicciotti, an ardent fan of opera. The award seeks to encourage and acknowledge the creation of new opera works that explore themes related to tolerance, inclusion or the celebration of diversity. The Pellicciotti Prize is awarded every four years. To learn more, visit www.potsdam.edu/pellicciotti.